Fan Chen

Fan Chen —Still-life ∕ ’’

Still-life, is part of a larger series on transforming familiar forms and obscuring spatial planes in a digital landscape. The series focuses on taking ordinary objects often consumable or utilitarian, and presenting them in a mixed-and-matched fashion. Through digital manipulation, the images become vibrant portals to a disrupted reality of fun-house styled illusions.

Nicholas Bridges—Hair of the Dog Fiona Struengmann—Needleview Kenneth Chau—Restraint & Hijara: Tree Study